Cory Arcangel
Timeless Standards
2011

Cory Arcangel

Timeless Standards

2011

This was posted 1 day ago. It has 3 notes. .
thetuesdayafter:

Kris Martin at Sies + Höke

thetuesdayafter:

Kris Martin at Sies + Höke

This was posted 1 day ago. It has 56 notes. .
danbourke:

Steve Bishop, Φ, 2010. Stainless steel and Listerine ‘Cool Mint’ mouthwash; 160 x 96 x 2 cm.

danbourke:

Steve Bishop, Φ, 2010. Stainless steel and Listerine ‘Cool Mint’ mouthwash; 160 x 96 x 2 cm.

This was posted 2 days ago. It has 6 notes. .
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videogameads:

DOUBLE DRAGON II: THE REVENGETechnosNES1988

videogameads:

DOUBLE DRAGON II: THE REVENGE
Technos
NES
1988

(via halfmanhalfskeleton)

This was posted 3 days ago. It has 52 notes. .

Martin Creed

You’re the One for Me, 2012

Work #1429

(Source: martincreed.com)

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RAGEagain

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hyperallergic:

Andrew Salomone, “Joseph Merrick Body Pillow” (2013)

hyperallergic:

Andrew Salomone, “Joseph Merrick Body Pillow” (2013)

(via citroenpicasso)

This was posted 3 days ago. It has 38 notes. .

I’m Too Sad to Tell You (1971)

Bas Jan Ader

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Vdrome: 'Walk-Through', Edmond Entwistle

This was posted 4 days ago. It has 0 notes.
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cavetocanvas:

George Stubbs, Rhinoceros, 1790-92 

cavetocanvas:

George StubbsRhinoceros, 1790-92 

This was posted 1 week ago. It has 201 notes. .
michaelswaney:

JONATHAN MONK, The World in Workwear, 2011. Textile, Approx. 156 x 197,5 cm

michaelswaney:

JONATHAN MONK, The World in Workwear, 2011. Textile, Approx. 156 x 197,5 cm

This was posted 1 week ago. It has 14 notes. .

Andrew Frost

A Short History of Arts Television

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I’ve always really enjoyed Andrew Frost’s work. His blog about the Sydney arts scene, The Artlife, and the short lived radio program and TV show of the same name were staples of mine when I was at art school. So I’m looking forward to this one.

I have extreme reservations with the ABC’s contemporary visual arts programming though (when it’s even present). It does tend to be remarkably superficial and seems to be completely directed towards explaining contemporary art to people who have at best a passing interest. Because of this the ‘is it really art?’ question (i.e.: the most boring question that could be asked in front of a work) is always given a mention. I wish there was a contemporary arts program which had a bit more depth and was aimed towards a more specialised audience. But, then again obviously this is a matter of limited resources and small audiences and maybe the internet is doing this anyway. (e.g.: Das Platforms series of artist interviews.)

But, Andrew Frost, has more to say about it himself. See the next post.

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